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Wednesday
Apr012015

"Trespassing" Published by Midwestern Gothic

This is no April Fool's joke!

My first story from my Wolf-Ely Writing Project is now published! You can read the complete story, “Trespassing,” in the Spring 2015 issue of Midwestern Gothic! Order your copy at HERE.

Read my online author bio HERE.

If you plan to be at AWP in Minneapolis April 8-11, purchase your copy in person when you visit Midwestern Gothic at the book fair (table #2032), chat with the editors, and peruse issues.

Thank you, Minnesota State Arts Board and Midwestern Gothic!

* READ THE FIRST PAGE OF THE STORY BELOW *

 

ABOUT MIDWESTER GOTHIC (quoted from the website)

Midwestern Gothic (ISSN 2159-8827) is a quarterly print literary journal out of Ann Arbor, Michigan, dedicated to featuring work about or inspired by the Midwest, by writers who live or have lived here. Midwestern Gothic aims to collect the very best in Midwestern writing in a way that has never been done before, cataloging the oeuvre of an often-overlooked region of the United States ripe with its own mythologies and tall tales.

Don’t be fooled by our name. Gothic fiction is often defined as the inclusion of deeply flawed, often “grotesque” characters in realistic (and, oftentimes unpleasant) settings/situations. At Midwestern Gothic, we take to heart the realistic aspects of Gothic fiction. Not every piece needs to be dark or twisted or full of despair, but we are looking for real life, inspired by the region, good, bad, or ugly.

Ultimately, we’re striving to catalog the best of Midwestern writers, and whether it be pieces physically set in the Midwest, or work inspired by your time living here, we want it.

 

Wendy Skinner is a fiscal year 2014 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation by the Minnesota State Legislature; and by a grant from the National Endowment for the Arts.

Wednesday
Dec312014

Ely-Wolf Project: Day 365

(This is the tenth and last in a series of posts that chronicles my year-long Minnesota State Arts Board writing project. I'm writing fiction to explore how wolves and wolf hunting affect residents in northern Minnesota. Previous posts have included excerpts from works in progress. For more information about this project, please scroll down to Wolf-Ely Writing Project: Day 1, or click here. Quick links included in this post are: Driving on the ice-covered highwayPowerPoint project overview from the Ely Public Presentation, Facebook post about a most embarrassing moment,  and story excerpts from "Mortality Mode" and "A Million Stars).

A Final Interview

My Minnesota State Arts Board grant period ends today, December 31, 2014. After conducting over two dozen interviews throughout the year, it's time for you to ask me the questions...

How do you feel about this being the end of the grant period?

My stories are based in the fictitious town of Greenstone, which is based on Ely, MinnesotThe grant supported experiences I would never have done on my own—traveling to Northern Minnesota to spend weeks researching and interviewing dozens of interesting people. It's a rush to delve deeply into a community in a concentrated amount of time, but a major let down when it all comes to an end.

It's like the closing night for a play.

Exactly! You’ve built sets, endlessly tweaked lights and sound and spent weeks memorizing lines and rehearsing scenes—only to have it all end after the final curtain call.

What exactly did you accomplish over the grant year? (Tweet your answer in 140 characters max!)

I interviewed 27 people. Submitted 5 stories to 50+ literary magazines. 500 people visited 10 monthly blog posts. 100+ came to my Mpls reading & 50+ to the Ely program.

But what about wolves? Did you see any?

Luna, my muse for the black wolf that weaves in and out of the stories.Yes, I saw many wolves—in captivity at the International Wolf Center in Ely. I had the privilege of meeting three elder retired wolves: Grizzer and two Arctic wolves named Malik and Shadow. I was lucky to meet Malik and Shadow before they died from natural causes in March and July, respectively. I also met the four active ambassador wolves: Aidan and Denali (Rocky Mountain gray wolves), and Boltz and Luna (Great Lakes gray wolves).

But no wild wolves?

Sorry. No wild wolves. Even if you live in the Northwoods every day, it’s still a rare experience to spot a wild wolf. Maybe next time I visit I’ll get lucky.

What was the scariest thing that happened?

Driving my Honda Accord on the ice-covered highway from Ely to Orr. It was very early on a Saturday morning on my way to interview a woman who raised miniature Nigerian dwarf goats on Pelican Lake. Not a soul passed me in either direction, my arms and shoulders ached from clenching the steering wheel, and it was 16 below zero. I had visions of careening off the iced-over road only to freeze like a walleye stuck in a snowbank outside an ice fishing house.

What was the most unexpected?

Hidden Valley Ski Club Trails in ElyMaking so many new friends—and at times under the most unexpected circumstances. For example, after a week of back-to-back interviews, I finally had a 4-hour break when the temperature rose to a balmy 10 below zero. I decided to squeeze in a round of nordic skiing at Hidden Valley between my morning and late afternoon interviews. After an hour and a half, I was on the home stretch back to the parking lot when I realized I’d dropped my camera.   When I began to backtrack, I bumped into a local skier. It was a little embarrassing—I’m notorious for losing things—and had to explain why I was going the wrong way on a one-way trail. He insisted on skiing with me to help me look for my camera.

And…Did you find your camera?

After three exhausting hours skiing the entire back loop for a second time, I never did find it! But I did make a new, dear friend. This is just one example of how people I met were so welcoming and accepting of me, a stranger to the community.

What did you find most challenging in your writing process?A glimpse of my writing desk.

That has to be what always challenges me most: getting into the regular routine of writing. Drafting stories is work. Just like a job, I have to show up on a regular basis, be present and start scribbling or typing. Writing takes long, dedicated amounts of time for me. I can write from nine in the morning to six in the evening without so much as a bathroom break to get a story down. That’s a good day.

What about revision?

The revision process that takes much longer for me, but it’s easier to do in smaller pieces.

How did you deal with distractions?

Simply showing up, being present—and closing the door—took care of a lot of distractions. But there were some distractions that I couldn’t and didn’t want to close the door on. When personal crises arose and put a stop the writing process all together, I just let it be. Writing will always be there, family or friends might not. So, it’s important to let the writing go and take care of life and the ones you love most, especially yourself.

What are three things you learned?

1. If I listen well, I will hear the most intriguing stories.

2. Real life truly is stranger than fiction.

3. My best stories are inspired by my truest human connections.

If you could do one thing over, what would that be?

I would never interview anyone in a restaurant or coffee shop.

Why not?

I found that most people say only what they’re willing to let the whole world know when they tell you something in a public place. I’m not interested in that. I want to listen to what they’re not willing to tell the whole world, those secrets or those reflections that they only express when in a quiet, safe, private place. I want to hear the stories they would only tell me, a trusted confidant.

How did the two public readings go?

Fantastic! Because of great publicity efforts—stories in the paper, posters, emails, Facebook, blog posts and word of mouth—over 150 people heard about my project and listened to me read from two stories, "Mortality Mode" and "A Million Stars."

How many people came to the Minneapolis reading?

Five 2014 MSAB Artist Initiative grantees read at the Loft.Over 100 people attended the Minnesota State Arts Board Loft reading at Open Book on Nov. 7.  Five of us 2014 grantees read from our work.

And how was the turnout for the Ely reading?Q & A at Grand Ely Lodge presentation

People packed the house at the Ely Grand Lodge. Over 50 people came on Nov. 18 for the full program: 20-minute PowerPower project overview, 20-minute reading of “A Million Stars,” and a half hour of Q & A. Audience members had lots of great energy and asked insightful questions about wolves and fiction.

Where are your stories now?

I polished five of the seven stories I wrote to final drafts and submitted them to over 50 literary magazines. The rejections began pouring in immediately. Then, just before Christmas the editor of Midwest Gothic notified me that they accepted my story, “Trespassing,” for publication in 2015!

Congratulations! What about the other stories?

I’m hopeful that over the next few months one or two more—and if I’m really lucky, three—stories will be accepted for publication. I’ll let you know when “Trespassing” or any other stories are published and available to the public. It’s a long process. It could be up to a year before you see these in print.

What’s next?

First and foremost will be to write the second half of the story collection. I’m aiming for 9-10+ stories total. I have dozens of interviews and notes I’ve yet to tap for material. I might retreat to a cabin Up North where I can dedicate focused writing time. Then, more revision and submissions to literary magazines. Ultimately, I’ll seek to publish the entire collection as a novel in stories. I’ll keep you posted!

Any last words?

Following the radio signal beep from a collared wolf on the far shore of Birch Lake.I’m grateful for all the people whose words and actions supported me during the year. Besides tax payers who supported me through the Minnesota State Arts Board grant, I had offers from strangers for a bed, a cup of coffee, time to talk or take a walk. I was most grateful when my plans fell through and people stepped in to help--twice.

Once in January when the cabin I planned to stay in was not fit for winter occupancy and via a chain of communication through Sheila O’Connor and Polly Carlson-Voiles, I landed a gig house sitting for Alanna Dore right in Ely! Another time was in November when my plans to present my program fell through with my first venue. Within 24 hours and another chain of communication through Jordyn Nyquist, Steve Piragis and Steve Schon, I landed a one-hour speaking engagement with the Tuesday Group at the Grand Ely Lodge.

Then of course there are all the Minnesota tax payers who supported me through the Minnesota State Arts Board grant and the countless offers of support, such as a home to stay in, a cup of coffee at the Front Porch, a meal at the Chocolate Moose, a walk in the Superior National Forest, snowshoeing on Birch Lake, canoeing across the Hegman lakes to see pictographs…

And the dozens of people who agreed to be interviewed?

Of course I have to thank them! They taught me about wolves, wolf management issues, and what it’s like to live in Northeastern Minnesota in the heart of wolf territory.

Did the interview process play a significant role in your creative process?

Absolutely!

Then one last question: Can you leave us with a sense of what it was like to listen to so many people over your months of research?

Sure. Here’s an excerpt from my journal after my first week of interviews that gets to the heart of my writing:

January 27, 2014

Oh, my. What a trip. What a wealth of information, experiences, and emotion. From doubt to encouragement to fear, dread, frustration, distain, anticipation, surprise, thrill, relief, exhaustion, compassion, and as they say, the greatest to all, love.

I’ve discovered some people who have the biggest, most tender hearts, others whose hearts have been beaten and broken, only to form a tough outer shell for protection. And, still others whom I never care to see again personally, but challenge me to see the deeper meaning of their human experience.

This whole week has been an exercise in human compassion. Is this what it feels like to be missionary? Always turned on, speaking face to face and searching for the needs of each soul I encounter? No matter who they are or how poorly or well they treat me, my job is to find their motivation—what makes them who they are—and discover that spark that leads to a flaming success of a story.

My working map of fictitious Greenstone, Minnesota where all my stories take place.

Wendy Skinner is a fiscal year 2014 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation by the Minnesota State Legislature; and by a grant from the National Endowment for the Arts.


 

Thursday
Oct092014

Wolf-Ely Writing Project: Day 282

(This is the ninth in a series of posts that chronicle my year-long writing project. I'm writing fiction to explore how wolves and wolf hunting affect residents in northern Minnesota. Previous posts have included excerpts from works in progress. For more information about this project, please scroll down to Wolf-Ely Writing Project: Day 1, or click here.)

Plan C

As a Minnesota State Arts Board (MSAB) Artist Initiative Grant recipient, I'm required to conduct a community component that will in the words of the MSAB, "provide meaningful public engagement…" How hard could that be? A simple reading? A little PowerPoint program to add depth? More difficult than I thought, given my topic: The cultural, political and personal turmoil that surrounds wolves and wolf hunting.

Two wildlife education-related organizations initially accepted my proposal to host a reading—with great enthusiasm. However, when it came to final approval, they both ultimately declined. Because they needed to maintain a public perception of neutrality, I imagined they feared that my topic would invite unwanted controversy, and thus an appearance far from neutrality. Based on my research and experiences, I now understand that this was a very real possibility.

The first time a director rejected my proposal, I offered to have her read my stories. She could approve the one she deemed was the "safest," the story that the public would find the least controversial.

When I found myself making the same offer to the second director, I thought—Hey! Wait a minute. What am I doing? I am condoning, even encouraging the censorship of my work!

So when Plan A and B fell through, I went to Plan C: to read my stories where they would be welcome. I would present at venues that value the free exchange of ideas without censorship. I would avoid having anyone metaphorically break my fingers or tape my mouth shut for fear of my stories stirring up trouble.

In fact, if no one finds anything disturbing or controversial about my stories, then I will have failed as a writer of literary fiction. I want my characters, their actions and the questions they raise, to make you feel uncomfortable. I want them to challenge your stereotypes, and think and feel as others do. I want you to see the world through their eyes—no matter how pleasant or unpleasant that might make you feel.

And remember, perhaps the main point of all this fiction stuff?

You don’t have to agree with other people to understand them.

So, below I present to you my marvelous, fabulous, PLAN C: New November dates and venues for my Minneapolis and Ely readings. I can't wait to share my stories with you! See you soon!

 

 Minnesota State Arts Board Reading

7 p.m., Nov. 7, 2014

The Loft at Open Book (Performance Hall)

1011 Washington Ave.

Minneapolis, Minnesota

(Open and free to the public!)

 

 “Tuesday Group” Program Speaker

Noon, Nov. 18, 2014

Grand Ely Lodge

400 North Pioneer Road

Ely, Minnesota 55731

(Open and free to the public! You may order lunch, but not required.)

 

Wendy Skinner is a fiscal year 2014 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation by the Minnesota State Legislature; and by a grant from the National Endowment for the Arts.


 

Sunday
Aug312014

Wolf-Ely Writing Project: Day 243

(This is the eighth in a series of posts that chronicle my year-long writing project. I'm writing fiction to explore how wolves and the legalization of wolf hunting and trapping affect residents in northern Minnesota. This post includes commentary and the beginning of an early draft of a story in progress. For more information about this project, please scroll down to Wolf-Ely Writing Project: Day 1, or click here.)

The other day I was talking with a friend of mine who’d received a Minnesota State Arts Board grant last year. She knew I was going through a tough time in my personal life and offered some reassurance. “Don’t worry, Wendy, you’ve got a whole year,” she said. “And when life happens, you just have to take time out to deal with it.”

I spent my birthday with my tribe, grateful for their presence. L to R my siblings: Burgess, Diane, Janey, (me) and Miriam.This explains why I’ve delayed until the last day of month for my Wolf-Ely Writing Project post. Life is happening. August, a month I usually relish marked by my birthday and the last cicada-buzz-filled days of summer is challenging me in ways I never anticipated. The good news is that friends and family have enveloped me with their love and support. And, at the end of July, I received tons of feedback on how to strengthen my stories from my mentor, the fabulous children’s book author and Hamline University professor, Sheila O’Connor.

Now, if I could only get to that revision process…when life settles down. After all, I have four more months to write and share my work with you. Oh, and mark your calendars for Nov. 7 at Open Book in Minneapolis for my first public reading. The second reading will follow in Ely, date and time yet to be determined. More about that in next month's post.

And speaking of dealing with life, this next excerpt from the story, Reality Show, features Daisy, described by a writer-friend of mine as “a gun-totin' gal and a volatile person.” She struggles to accept how her choices have resulted in unintended consequences.

Ah, but doesn’t that describe us all—not the gun bit—but the unintended consequences?

Reality Show

Daisy Johnson put the pistol in the holster. Every day since she’d found Thelma’s remains, she carried a gun when she went into the woods. It made her shiver just recalling how the dog might as well have fallen into the Amazon River and been nibbled to death by a thousand piranhas. In a pink, blood-soaked patch of snow, the wolves had left behind a full pearly-white skeleton with the head and tail intact but for one gnawed-off ear.

Daisy hadn’t actually fired the gun since then—but if she needed to, she’d have no qualms about following the old adage: shoot, shovel and shut up. Since the Endangered Species Act no longer protected wolves, technically she could use lethal force to defend her dogs without it being a Federal offense. But goddammit, if she ever saw one of those monsters trespassing on her property again, she’d blow it away. She still had to be careful, make sure it was legal. If not, she could face $2,000 in restitution and up to a $3,000 fine—plus a year’s free rent in the county jail. Earlier in November, she’d missed out on the lottery for this year’s license, but she was successful after standing in line for two hours—first come first serve—at the hardware store at getting one of the unclaimed licenses. It would cover her ass just in case, at least through January when hunting season ended.

Strapped on like a commando’s, the holster clung to her leg as she trekked from the house down the snow-packed drive in her black snowmobile suit. She hoofed it up the hill, around the corner and out to the row of mailboxes along Highway 121. A pickup truck roared past kicking up a white dust devil from last night’s snowfall. She opened her box and pulled out a Greenstone utility bill, the December issue of Guns & Ammo and a red Netflix’s envelope. Good. She could finally watch Liam Neeson kick some ass in The Grey.  A shiny black SUV pulled up and the window rolled down.

“Howdy, neighbor!” It was Becker, a man with unnaturally dark hair for his late forties and teeth so perfect and white it hurt to look at them.

“Hi, Ted,” Daisy said. “You all have a nice Thanksgiving?”

“You betcha,” he said. “Heading back home to the Cities.”

“Hi, Daisy.” His wife waved from the passenger side. A teenage boy and girl with earbuds poked into their heads sat in the back already tapping away on their smartphones.

“Hey, I got that live webcam up and running,” Becker said. “It’s gonna be great. When the motion detector goes off, it’ll trigger an alarm that sends me an email to my phone—and with infrared light, it sees just like those night vision goggles they used when they killed Osama Bin Laden.”

“Theo,” his wife whined. “It’s cold. We need to get going.”

Becker’s eyes fell to the holster on Daisy’s leg and he grimaced.

“Theo,” his wife repeated.

“Well, you have a good one,” Becker said. "See you next spring." They flashed Ken-and-Barbie smiles, the window rolled up and the SUV accelerated down the highway.

Daisy shook her head. Thank God Becker was going to Jamaica for Christmas this year and she didn’t have to deal with him—or his wife—for another six months. It wasn’t that they weren’t nice people. It’s just whenever Becker crossed her path, he could not shut up about his latest home improvement or techno gadget or how grand it was to live in Greenstone. Yeah, it was special for him to spend time Up North here communing with nature, but that kind of talk got real old real fast for someone who lived here. Full time. All the time. 365 days all-through-the-fucking-winter-time.

Daisy walked back down the driveway to the house. When she rounded the corner, she smiled at the custom-made street sign she’d recently mounted on the trunk of a tall red pine. It read: Psycho Path. She called her place other names, too, The Happy Halfway House for Orphaned Animals and Shangri-La. Hell, people in town thought she was crazy the way she kept collecting wayward dogs over the years, as many as six at once—all rescues from one kind of abuse or another. But she wouldn’t have had it any other way. She loved them all. They were her family. And no better place to have her family than here in heaven, 10 acres of forest situated on the border between Greenstone and the Boundary Waters. Except in her case, heaven came with a little hell. Shangri-La sat smack dab in the middle of wolf territory. …

 

Wendy Skinner is a fiscal year 2014 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation by the Minnesota State Legislature; and by a grant from the National Endowment for the Arts.


Monday
Jul072014

Wolf-Ely Writing Project: Day 189

(This is the seventh in a series of posts that chronicle my year-long writing project. I'm writing fiction to explore how wolves and the legalization of wolf hunting and trapping affect residents in northern Minnesota. This post includes a the beginning of an early draft of a story in progress. For more information about this project, please scroll down to Wolf-Ely Writing Project: Day 1, or click here.)

Medicine Man

Henry’s shoulders itched. Sweat soaked his T-shirt. If the snow weren’t so deep he and his niece, Sundog, could have skied instead of snowshoed to their cabin on Turtle Back Lake. He hadn’t been back since they put Grandpa to rest ten years ago. They buried him where the loggers left the white pines standing for fear of upsetting the living if they trespassed over the roots that curled around the dead Indians buried there.

At the age of twelve, Sundog was a real trooper. Hardly a complaint out of her since they’d left the truck in the parking lot at the end of Broadax Trail, the entrance to the Boundary Waters. It’d been three hours since Henry led her across the snow-crusted plain of Broadax Lake, then the long hilly portage through forests and over bogs to Turtle Back Lake. Henry and Sundog would weather the storm for a day or two in the shelter where he’d spent his summers as a child before enlisting with the United States Marine Corps. If Child Protection Services had the guts and the gall to stick it out waiting for them at his mother’s house, they’d have to fight all six-four, 250 pounds of him. Court order or not, they weren’t taking Sundog away from her family and putting her back in that foster home in Duluth.

Henry stopped and readjusted the harness to the sled that held their sleeping bags, blankets, stove, fishing gear, cook kit and enough nuts, dried fruit and jerky to last if the trout weren’t biting. A raven flew up to the top of a nearby red pine and bobbed as it cawed in a throated rhythm. Raven, bearer of magic, messenger of the cosmos. It had followed them ever since the parking lot, appearing and disappearing.

If child protection services brought the sheriff with them, that would be another story. Henry would have no choice.

“How much farther?” Sundog asked. Her eyes squinted into two black slits as she blocked the sun with her mittened hand. Two crystal rainbows framed the sun on each side as it crawled along the southern edge of the January sky. Sundog looked and acted just like her grandma, with warm brown skin and questioning, always questioning. “I’m tired.” So much for no complaints. Her jacket was tied around her waist and a red scarf hung off her neck like an elder’s shawl, loose and free. She squatted and sat back on the ends of her snowshoes.

“See that cliff up ahead?” Henry pointed to a rusty-colored rock wall rising from the edge of the lake snow. “That’s where Medicine Man is. We’ll rest there.” Henry traipsed ahead, breaking a trail of waffle-like prints in the snow followed by four parallel lines streaking behind the sled. He didn’t look back.

When he reached the cliffs, he unhitched the sled, removed his snowshoes and leaned against the stone wall. Snow frosted the ledges and falls of ice cascaded down one end between two black-stained faces of granite. He waited. Sundog methodically followed his tracks across the brilliant, sun-dazzled snow. Her brown cheeks had turned red with exertion. Her scarf had joined the jacket at her hips. After she pulled off her stocking cap, shocks of black hair stuck out every which way like a wet muskrat. It was a shame the foster mother had cut her hair. It would take another year before it grew to fall past her shoulders again. On the cusp of womanhood, and she looked like a boy.

“Water?” Henry passed his bottle to Sundog. She pulled the stopper with her teeth and sucked greedily at the bottle like a newborn fawn. She wiped the drips off her mouth with her sleeve and passed the bottle back to him. “You’re not much for words today,” he said.

Sundog smiled and shrugged her shoulders. With all the screwed up events in her short life so far, she was surprisingly easy going. Maybe a little too much so. Or maybe she was just shy around him. He could intimidate people with his stature and the military stoicism he just couldn’t shake after 20 years—that and his slate-blue eyes that could see into a person’s soul. Or so he’d been told. Like his mother and his grandfather and his fathers before him, Henry was raised 100 percent Indian. It was his father’s Norwegian blood that startled people when they met him for the first time expecting to see what they imagined an Indian should look like. And even then, when they knew he was Indian, white people treated him like he were one of them. But Sundog? She didn’t have his complexion of protection, and after three court appeals all ruling in favor of his mother to care for Sundog, Child Protection Services was still determined to strip Sundog of her Native family and make her a white girl. It’s no different, his mother had said, than when they put me in the boarding school.

Henry passed the water bottle with Sundog until they emptied its icy contents. He climbed to a ledge on the cliff, sat down in the snow and leaned up against the rock. Sundog removed the snowshoes from her hot-pink boots and followed. She sat beside him, copying the way he dangled his legs over the ledge. The sun hit his face full on. It felt good. No wind, just stillness. Blue sky from horizon to horizon with a zipper line of snowshoe tracks bisecting the white plain of snow on the lake. Sundog put her scarf back on. Henry shivered and put on his jacket. He closed his eyes and the sun made a blood orange of his eyelids. A shadow flickered across. The raven flew over and lit in the spruce boughs above them. It clacked its beak, ruffled its feathers and walked about like a big-footed clown poking its nose into the branches flicking chunks of snow down upon Henry’s head.

“So where is Medicine Man?” Sundog said with her face to the sun and her eyes closed.

Henry brushed the snow from his hair and stood. The raven hopped deeper into the tree boughs and disappeared. “Right here.” He pointed a few feet above her head. “You walked right past him.”

She stood. Eye-to-eye with a cluster of iron-red figures taking up no more space on the stone than half a snowshoe, she pulled off her mitten. “Hello, Medicine Man,” she said, and traced his uplifted arms and five-fingered hands. Her finger fell to the perfect silhouette of a bull moose, antlers, beard and all then behind it, a wolf with a long bushy tail. She underlined the scene as her finger tracked a horizon line streaking below the three beings.

“Cool, huh?” Henry smiled.

“Yeah, cool.” Sundog smiled back, her crooked teeth gleaming. “One, two, three,” she counted the canoes hovering over the beings. “One, two, three, four, five, six,” she counted the hash marks beside the canoes. Then she reached up over her head and pressed her hand to a red, wind-blown cross high above the scene. “What’s the story?”

“Nobody knows.”

“Who painted these?”

“Nobody knows, but whoever did was here before our people.”

“The Anishanabee. First People. That’s what Grandma calls us.”

“Remember, someone always walks the path before us, before you and me, Grandma, great grandpa, before the Indian villages on Sucker Bay, Balsam Island and Pillow Rock Portage. Before the miners, the loggers, the Voyageurs and the French fur traders. Before Columbus, the Vikings…”

“Before Medicine Man?”

“And before Medicine Man, yes,” Henry said. “There were others.” ...

 

Wendy Skinner is a fiscal year 2014 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation by the Minnesota State Legislature; and by a grant from the National Endowment for the Arts.